ANNIVERSAIRES : Le fils du retour!
- Dominique FOSSE
- Messages : 1921
- Inscription : dim. mars 25, 2007 6:18 am
Re: ANNIVERSAIRES : Le fils du retour!
22 mars, anniversaire de Gene LIBBEA, contrebassiste de NASHVILLE BLUEGRASS BAND
J'ai trouvé trois videos où il est plus visible que ne le sont habituellement les contrebassistes:
- d'abord comme chanteur:https://www.youtube.com/watch?v=YprU7BOfO-g
- ensuite en duo de contrebasses avec Roy HUSKEY Jr derrière John HARTFORD : https://www.youtube.com/watch?v=1FrnqLaG7K8 Quel feeling, John HARTFORD. Hélas, Gene est le dernier survivant de cet atypique trio.
- pour ceux que le jazz n'effraie pas, en duo avec Pat CLOUD : https://www.youtube.com/watch?v=exiG0z9dftU
J'ai trouvé trois videos où il est plus visible que ne le sont habituellement les contrebassistes:
- d'abord comme chanteur:https://www.youtube.com/watch?v=YprU7BOfO-g
- ensuite en duo de contrebasses avec Roy HUSKEY Jr derrière John HARTFORD : https://www.youtube.com/watch?v=1FrnqLaG7K8 Quel feeling, John HARTFORD. Hélas, Gene est le dernier survivant de cet atypique trio.
- pour ceux que le jazz n'effraie pas, en duo avec Pat CLOUD : https://www.youtube.com/watch?v=exiG0z9dftU
scribouillard chez coyote
Re: ANNIVERSAIRES : Le fils du retour!
23 Mars 1945:

Quelle photo choisir ?
Quel disque ?
Pour moi ça sera :
https://www.youtube.com/watch?v=pPJ6OHJIucc
https://www.youtube.com/watch?v=16EYejUic_0
https://www.youtube.com/watch?v=tjyPZflsoXc
Quelle formule de groupe ou d'expériences , ou encore de collaborations musicales plus diverses les unes que les autres ?
Impossible , tant la carrière du Dawg est immense !
inventeur de la Dawg Music ....
Bien sûr le David Grisman Quintet ! ( une "école" qui verra éclore des talents comme Rice, O'connor , Marshall , Anger ,Scholle...pour ne citer qu'eux )
The David Grisman Quintet is a self-styled alternative bluegrass/acoustic jazz band founded by David Grisman in 1975 in San Francisco, California, USA. Inspired by such diverse genres as Bill Monroe's bluegrass legacy and Django Reinhard's 1930s swing, the Quintet created an entirely new style of acoustic music, and has inspired countless other musicians to take similarly eclectic approaches to their music.[1] Since its formation, the Quintet's members have included guitar virtuoso Tony Rice and multiinstrumentalists Mark O'Connor, Mike Marshall, Darol Anger and Jon Sholle. The Quintet has performed and recorded with special guests such as violin great Stephane Grapelli,[2][3] and remains active, with appearances scheduled at several music festivals around the U.S. in 2014–2015. The National Public Radio program Car Talk uses the band's instrumental "Dawggy Mountain Breakdown" as its theme music.
Discography
The following albums have been released by the David Grisman Quintet:[4][5][6]
The David Grisman Quintet - 1977
Hot Dawg - 1978
Quintet '80 - 1980
Mondo Mando - 1981
Dawg '90 - 1990
Dawgwood - 1993
Dawganova - 1995
DGQ-20 - 1996
Dawgnation - 2002
Dawg's Groove - 2006
Et puis tout le reste :
David Grisman, né le 23 mars 1945 à Hackensack (New Jersey, États-Unis) est un joueur de mandoline américain. Sa virtuosité et son sens musical en a fait, depuis cinquante ans, l'un des meilleurs mandolinistes de bluegrass et de jazz.
David Grisman commence sa carrière musicale en 1963 en tant que membre du Even Dozen Jug Band. Son surnom, « Dawg » lui a été affectueusement donné par son ami Jerry Garcia en 1973 (ils se sont rencontrés en 1964 au Sunset Park). La musique de Dawg est un mélange de bluegrass, du jazz de Stéphane Grappelli et Django Reinhardt comme sur l'album Hot Dawg de 1977. Stephane Grappelli a joué sur deux morceaux de Hot Dawg et sur Stephane Grappelli and David Grisman Live en 1981. Grisman, avec New Grass Revival, est généralement considéré comme l'un des interprètes du nouveau bluegrass parfois appelé bluegrass progressif ou newgrass.
Compositeur, improvisateur et mandoliniste exceptionnel, David Grisman a très tôt été considéré comme l'un des pères du newgrass. Mais, à la différence de ses pairs (New Grass Revival ou Tony Trischka, par exemple), qui optent pour un bluegrass progressif, David Grisman se détache sensiblement de l'héritage et du son traditionnel, en optant, au sein de ses formations en quartet ou en quintet, pour un choix qui impose de suite le caractère de sa musique : le chant et le banjo disparaissent (au profit, au début, d'une mandoline en duo), les morceaux sont, souvent, de longues suites instrumentales, les influences deviennent multiples (Amérique du Sud, Europe de l'Est). Le répertoire est entièrement constitué autour des compositions de David Grisman, auxquelles s'ajoutent des thèmes extérieurs (Grappelli, Reinhardt, etc.). Très vite, on parle de Dawg music, pour qualifier un genre nouveau, résolument acoustique, entre bluegrass, jazz et musique savante, qui n'a pas d'équivalent. Plus tard, l'instrumentarium évolue, avec des entrées pour le moins originales : flûte traversières, percussions, etc.
Acoustic Disc Records — 100% handmade music
David Grisman est à l'initiative de la création d'un label au concept simple : la publication (ou republication) de ses propres enregistrements, l'édition de documents d'archives (enregistrements anciens, collectages), ainsi que la réalisation de nouveaux albums de groupes ou musiciens autres. Comme son nom l'indique, les enregistrements favorisent exclusivement les instruments acoustiques. Le premier disque à sortir sur ce label fut "Dawg 90".
Avec Even Dozen Jug Band
Avec Bill Keith (Bluegrass progressif) Muleskinner, A Pot pourri of Bluegrass Jam 19731 (feat. Peter Rowan, Clarence White, Bill Keith)
The David Grisman Rounder Record (1976)2 reed. CD 0069, 1986 (feat. Tony Rice, Bill Keith)
Something Auld, Something Newgrass, Something Borrowed, Something Bluegrass(Bill Keith) 1976 Rounder - reed. CD 0084, 1998 (feat. Tony Rice)
Avec Old and in the Way Old and in the Way 1975
That High Lonesome Sound 1996
Breakdown 1997
Old and in the Gray 2002
Garcia & Grisman Garcia/Grisman - 1992
Not for Kids Only - 1993
Shady Grove - 1996
So What - 1998
The Pizza Tapes (featuring Tony Rice) – 2000
Been All Around This World - 2004
Grateful Dawg
Solo, avec d'autres, et avec DGQ (David Grisman Quintet) Musique du film pour Roger Corman '(EAT MY DUST )
The David Grisman Quintet - 1977
Hot Dawg - 1978
Quintet '80 - 1980
Early Dawg - 1980
Mondo Mando - 1981
Dawg Jazz/Dawg Grass - 1982
Here Today - 1982
David Grisman's Acoustic Christmas - 1983
David Grisman - 1983
Mandolin Abstractions [en concert] - 1983
Acousticity - 1984
Svingin' with Svend - 1986
Home Is Where the Heart Is - 1988
Dawg '90 - 1990
Common Chord - 1993
David Grisman Rounder Compact Disc - 1993
Dawgwood - 1993
Tone Poems - 1994
Tone Poems 2 - 1995
Dawganova - 1995
DGQ-20 - 1996
Retrograss - 1999
Dawg Duos - 1999
Tone Poems 3: The Sounds of the Great Slide & Resophonic Instruments - 2000
New River - 2001
Traversata [en concert] - 2001
Dawgnation - 2002
Life of Sorrow - 2003
New Shabbos Waltz - 2006
Dawg's Groove [en concert] - 2006
DGBX - 2006
Classic Dawg [DVD] [en concert] - 2006
Satisfied - 2007
A compléter ....
Skip

Quelle photo choisir ?
Quel disque ?
Pour moi ça sera :
https://www.youtube.com/watch?v=pPJ6OHJIucc
https://www.youtube.com/watch?v=16EYejUic_0
https://www.youtube.com/watch?v=tjyPZflsoXc
Quelle formule de groupe ou d'expériences , ou encore de collaborations musicales plus diverses les unes que les autres ?
Impossible , tant la carrière du Dawg est immense !
inventeur de la Dawg Music ....
Bien sûr le David Grisman Quintet ! ( une "école" qui verra éclore des talents comme Rice, O'connor , Marshall , Anger ,Scholle...pour ne citer qu'eux )
The David Grisman Quintet is a self-styled alternative bluegrass/acoustic jazz band founded by David Grisman in 1975 in San Francisco, California, USA. Inspired by such diverse genres as Bill Monroe's bluegrass legacy and Django Reinhard's 1930s swing, the Quintet created an entirely new style of acoustic music, and has inspired countless other musicians to take similarly eclectic approaches to their music.[1] Since its formation, the Quintet's members have included guitar virtuoso Tony Rice and multiinstrumentalists Mark O'Connor, Mike Marshall, Darol Anger and Jon Sholle. The Quintet has performed and recorded with special guests such as violin great Stephane Grapelli,[2][3] and remains active, with appearances scheduled at several music festivals around the U.S. in 2014–2015. The National Public Radio program Car Talk uses the band's instrumental "Dawggy Mountain Breakdown" as its theme music.
Discography
The following albums have been released by the David Grisman Quintet:[4][5][6]
The David Grisman Quintet - 1977
Hot Dawg - 1978
Quintet '80 - 1980
Mondo Mando - 1981
Dawg '90 - 1990
Dawgwood - 1993
Dawganova - 1995
DGQ-20 - 1996
Dawgnation - 2002
Dawg's Groove - 2006
Et puis tout le reste :
David Grisman, né le 23 mars 1945 à Hackensack (New Jersey, États-Unis) est un joueur de mandoline américain. Sa virtuosité et son sens musical en a fait, depuis cinquante ans, l'un des meilleurs mandolinistes de bluegrass et de jazz.
David Grisman commence sa carrière musicale en 1963 en tant que membre du Even Dozen Jug Band. Son surnom, « Dawg » lui a été affectueusement donné par son ami Jerry Garcia en 1973 (ils se sont rencontrés en 1964 au Sunset Park). La musique de Dawg est un mélange de bluegrass, du jazz de Stéphane Grappelli et Django Reinhardt comme sur l'album Hot Dawg de 1977. Stephane Grappelli a joué sur deux morceaux de Hot Dawg et sur Stephane Grappelli and David Grisman Live en 1981. Grisman, avec New Grass Revival, est généralement considéré comme l'un des interprètes du nouveau bluegrass parfois appelé bluegrass progressif ou newgrass.
Compositeur, improvisateur et mandoliniste exceptionnel, David Grisman a très tôt été considéré comme l'un des pères du newgrass. Mais, à la différence de ses pairs (New Grass Revival ou Tony Trischka, par exemple), qui optent pour un bluegrass progressif, David Grisman se détache sensiblement de l'héritage et du son traditionnel, en optant, au sein de ses formations en quartet ou en quintet, pour un choix qui impose de suite le caractère de sa musique : le chant et le banjo disparaissent (au profit, au début, d'une mandoline en duo), les morceaux sont, souvent, de longues suites instrumentales, les influences deviennent multiples (Amérique du Sud, Europe de l'Est). Le répertoire est entièrement constitué autour des compositions de David Grisman, auxquelles s'ajoutent des thèmes extérieurs (Grappelli, Reinhardt, etc.). Très vite, on parle de Dawg music, pour qualifier un genre nouveau, résolument acoustique, entre bluegrass, jazz et musique savante, qui n'a pas d'équivalent. Plus tard, l'instrumentarium évolue, avec des entrées pour le moins originales : flûte traversières, percussions, etc.
Acoustic Disc Records — 100% handmade music
David Grisman est à l'initiative de la création d'un label au concept simple : la publication (ou republication) de ses propres enregistrements, l'édition de documents d'archives (enregistrements anciens, collectages), ainsi que la réalisation de nouveaux albums de groupes ou musiciens autres. Comme son nom l'indique, les enregistrements favorisent exclusivement les instruments acoustiques. Le premier disque à sortir sur ce label fut "Dawg 90".
Avec Even Dozen Jug Band
Avec Bill Keith (Bluegrass progressif) Muleskinner, A Pot pourri of Bluegrass Jam 19731 (feat. Peter Rowan, Clarence White, Bill Keith)
The David Grisman Rounder Record (1976)2 reed. CD 0069, 1986 (feat. Tony Rice, Bill Keith)
Something Auld, Something Newgrass, Something Borrowed, Something Bluegrass(Bill Keith) 1976 Rounder - reed. CD 0084, 1998 (feat. Tony Rice)
Avec Old and in the Way Old and in the Way 1975
That High Lonesome Sound 1996
Breakdown 1997
Old and in the Gray 2002
Garcia & Grisman Garcia/Grisman - 1992
Not for Kids Only - 1993
Shady Grove - 1996
So What - 1998
The Pizza Tapes (featuring Tony Rice) – 2000
Been All Around This World - 2004
Grateful Dawg
Solo, avec d'autres, et avec DGQ (David Grisman Quintet) Musique du film pour Roger Corman '(EAT MY DUST )
The David Grisman Quintet - 1977
Hot Dawg - 1978
Quintet '80 - 1980
Early Dawg - 1980
Mondo Mando - 1981
Dawg Jazz/Dawg Grass - 1982
Here Today - 1982
David Grisman's Acoustic Christmas - 1983
David Grisman - 1983
Mandolin Abstractions [en concert] - 1983
Acousticity - 1984
Svingin' with Svend - 1986
Home Is Where the Heart Is - 1988
Dawg '90 - 1990
Common Chord - 1993
David Grisman Rounder Compact Disc - 1993
Dawgwood - 1993
Tone Poems - 1994
Tone Poems 2 - 1995
Dawganova - 1995
DGQ-20 - 1996
Retrograss - 1999
Dawg Duos - 1999
Tone Poems 3: The Sounds of the Great Slide & Resophonic Instruments - 2000
New River - 2001
Traversata [en concert] - 2001
Dawgnation - 2002
Life of Sorrow - 2003
New Shabbos Waltz - 2006
Dawg's Groove [en concert] - 2006
DGBX - 2006
Classic Dawg [DVD] [en concert] - 2006
Satisfied - 2007
A compléter ....

Skip

If you funk with me , I'll funk with you !
Re: ANNIVERSAIRES : Le fils du retour!
Bon ....avec plus de deux semaines de retard ....on a laissé passer l'anniversaire de Norman Blake !.....c'est pas cool !!
Alors , juste comme ça une bio en anglais et la discographie du Monsieur....

https://www.youtube.com/watch?v=UEkVkJax2Co
Norman Blake (born March 10, 1938, Chattanooga, Tennessee, United States) is an American instrumentalist, vocalist, and songwriter.[1] In a career spanning more than 60 years Blake has played in a number of folk and country groups. He is considered one of the leading figures in the bluegrass revival of the 1970s and is still active today, playing concert dates and making albums with his wife Nancy Blake.
When he was one year old, his family moved to Sulphur Springs, Georgia where he was raised.
Norman Blake quit school at age 16 to play mandolin in a band. His first band, The Dixie Drifters, played the Tennessee Barndance on WNOX Radio in Knoxville, TN. Later, they went to WDOD Radio, and from there to WROM-TV in Rome, GA where they stayed until 1956. Norman then worked with banjoist Bob Johnson as The Lonesome Travellers. They joined with Walter Forbes in making two records for RCA. In 1959, Norman left those groups to go with Hylo Brown and the Timberliners, although he continued as a duet with Bob Johnson in making several guest appearances on WSM's Grand Ole Opry.
At that time, Norman was drafted and stationed in the Panama Canal as a radio operator. There he formed the Fort Kobbe Mountaineers, a bluegrass band in which Norman played the fiddle and mandolin. They were voted Best Instrumental Group of the Caribbean Command, with Norman voted Best Instrumentalist.
Upon returning to the United States, Norman taught guitar and played the fiddle in a country and western dance band three or four nights a week. He also made frequent trips to Nashville to play sessions and, for a time, played as a member of June Carter's road group.
In 1969, Norman moved to Nashville to do the Johnny Cash Summer TV show. Along with country and western sessions, Norman recorded with Bob Dylan on The Nashville Skyline album. He was a member of Kris Kristofferson's first road group, playing guitar and dobro, and did a seasonal tour with Joan Baez, playing mandolin, guitar, and dobro; Norman recorded with both groups. He left Kristofferson to join and record with John Hartford's Aereoplane Band. After that band dissolved, Norman toured with John Hartford as his accompanist for 1 1/2 years, during which time he recorded his first solo album, Home in Sulphur Springs. He also received a gold record for his participation on the Nitty Gritty Dirt Band's legendary, Will the Circle be Unbroken album.
In the ensuing years, Norman and his wife Nancy Blake have toured extensively, playing to larger and more dedicated audiences. Again, Frets Magazine Readers Poll Awards voted Norman first place, this time in the category of Best Multi-Instrumentalist of 1986. Since 1989, the Blake's have received four Grammy nominations in the "Best Traditional Folk Recording of the Year" category for their projects, Blind Dog, their Shanachie debut Just Gimme Somethin' I'm Used To, and Shanachie releases While Passing Along This Way and The Hobo's Last Ride.[3]
Although known as one of the most prominent acoustic guitar flatpickers, Norman Blake is a multi-instrumentalist and vocalist. Other instruments he plays include the mandolin, 6-string banjo, fiddle, dobro, banjo and viola.[4] He is known for his loose right hand guitar technique, which arose out of his mandolin technique. Also well known is his devotion to 12 fret guitars, including Martin 00s, 000s, D18s, D28s, and, most recently, Gibsons, like his 1929 12 fret Nick Lucas special.
Blake is best known for his work with John Hartford, Tony Rice, and his wife, Nancy Blake. He has played backup for Johnny Cash, June Carter, Bob Dylan, Steve Earle, Kris Kristofferson, Ralph Stanley, and Joan Baez. Blake also played on the Nitty Gritty Dirt Band album, Will the Circle Be Unbroken, for which he received a Gold Record.[5].
From 1969 to 1971 he was a regular on ABC's The Johnny Cash Show, supplementing Cash's band the Tennessee Three.
Blake is listed in the credits of the Bob Dylan album Nashville Skyline and the Johnny Cash album Orange Blossom Special. He was featured on the Steve Earle comeback album Train A' Comin' and on the multi-platinum O Brother Where Art Thou? soundtrack, which ignited new interest in old time music and won a Grammy Award for Album of the Year in 2002. Blake participated in the "Down from the Mountain" tour which resulted. Blake also played on the 2007 album Raising Sand by Robert Plant and Alison Krauss, which won five Grammy Awards.
Most of the music that Norman Blake plays could be described as neo-traditionalist Americana folk and roots music (folk, bluegrass, country, blues), and many of the songs he plays are traditional, but he plays this acoustic type of music with a style, speed, and quality that has evolved and progressed in the modern age. Though probably best known for his fluid renditions of classic fiddle tunes transcribed for the guitar (Fiddler's Dram / Whiskey Before Breakfast), Blake has also written songs that have become bluegrass and folk standards, such as "Ginseng Sullivan" from Back Home in Sulphur Springs, "Slow Train through Georgia", "Billy Gray," and "Church Street Blues".
Blake has produced 33 albums and has recorded on the Rounder, Flying Fish, Country, Takoma, Shanachie, Red House, Dualtone, and Plectrafone/Western Jubilee labels.
Discography
Back Home in Sulphur Springs (Rounder, 1972)
The Fields of November (Flying Fish, 1974)
Old and New (Flying Fish, 1975)
Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns (Flying Fish, 1976)
Live at McCabe's (Takoma, 1976)
Norman Blake and Red Rector (Country, 1976)
Whiskey Before Breakfast (Rounder, 1976)
Blackberry Blossom (Flying Fish, 1977)
Directions (Takoma, 1978)
Rising Fawn String Ensemble (Rounder, 1979)
Full Moon on the Farm (Rounder, 1981)
Original Underground Music from the Mysterious South (Rounder, 1983)
Nashville Blues (Rounder, 1984)
Lighthouse on the Shore (Rounder, 1985)
The Norman & Nancy Blake Compact Disc (Rounder, 1986)
Natasha's Waltz (Rounder, 1987)
Slow Train through Georgia (Rounder, 1987)
Blake & Rice (Rounder, 1987)
Blind Dog (Rounder, 1988)
Norman Blake and Tony Rice 2 (Rounder, 1990)
The Fields of November/Old and New (Flying Fish, 1992)
Just Gimme Somethin' I'm Used To (Shanachie, 1992)
While Passing Along This Way (Shanachie, 1994)
The Hobo's Last Ride (Shanachie, 1996)
Chattanooga Sugar Babe (Shanachie, 1998)
Be Ready Boys: Appalachia to Abilene - with Rich O'Brien (Plectrafone Records/Western Jubilee, 1999)
Far Away, Down on a Georgia Farm (Shanachie, 1999)
Flower From the Fields of Alabama (Shanachie, 2001)
Old Ties (Rounder, 2002)
Meeting on Southern Soil (Red House, 2002)
The Morning Glory Ramblers (Plectrafone Records/Western Jubilee, 2004)
Back Home in Sulphur Springs [Norman & Nancy Blake] (Plectrafone Records/Western Jubilee, 2006)
Shacktown Road (Plectrafone Records/Western Jubilee, 2007)
Look A-Yonder Comin' (State Archives of Florida, 2008) (A bluegrass compilation featuring Norman and Nancy Blake)
Rising Fawn Gathering (Plectrafone Records/Western Jubilee, 2009)
Sleepy Eyed Joe (2009)
Green Light on the Southern (Plectrafone Records/Western Jubilee, 2010)
"Wood, Wire & Words" (Plectraphone Records/Western Jubilee, 2015)
Soundtracks
Blake appears on the following soundtracks as either musician or arranger:
O Brother, Where Art Thou? (2000) (Mercury 088170)
Cold Mountain (2003) (DMZ / Columbia 86843)
Walk the Line (2005) (Wind-Up Records)
Videos
Norman Blake's Guitar Techniques No. 1 (Homespun, 1990 VHS, 2003 DVD)
Mandolin of Norman Blake (Homespun, 1992 VHS, 2005 DVD)
My Dear Old Southern Home (Shanachie, 1994 VHS, 2003 DVD)
Legends of Flatpicking Guitar (Vestapol, 1995 VHS, 2001 DVD)
The Video Collection 1980–1995 (Vestapol, 1996 VHS, 2004 DVD)
Great Guitar Lessons – Bluegrass Flatpicking (Homespun, 2000 VHS, 2006 DVD)
Norman Blake's Guitar Techniques No. 2 (Homespun, 2001, 2003 DVD)
Skip
Alors , juste comme ça une bio en anglais et la discographie du Monsieur....

https://www.youtube.com/watch?v=UEkVkJax2Co
Norman Blake (born March 10, 1938, Chattanooga, Tennessee, United States) is an American instrumentalist, vocalist, and songwriter.[1] In a career spanning more than 60 years Blake has played in a number of folk and country groups. He is considered one of the leading figures in the bluegrass revival of the 1970s and is still active today, playing concert dates and making albums with his wife Nancy Blake.
When he was one year old, his family moved to Sulphur Springs, Georgia where he was raised.
Norman Blake quit school at age 16 to play mandolin in a band. His first band, The Dixie Drifters, played the Tennessee Barndance on WNOX Radio in Knoxville, TN. Later, they went to WDOD Radio, and from there to WROM-TV in Rome, GA where they stayed until 1956. Norman then worked with banjoist Bob Johnson as The Lonesome Travellers. They joined with Walter Forbes in making two records for RCA. In 1959, Norman left those groups to go with Hylo Brown and the Timberliners, although he continued as a duet with Bob Johnson in making several guest appearances on WSM's Grand Ole Opry.
At that time, Norman was drafted and stationed in the Panama Canal as a radio operator. There he formed the Fort Kobbe Mountaineers, a bluegrass band in which Norman played the fiddle and mandolin. They were voted Best Instrumental Group of the Caribbean Command, with Norman voted Best Instrumentalist.
Upon returning to the United States, Norman taught guitar and played the fiddle in a country and western dance band three or four nights a week. He also made frequent trips to Nashville to play sessions and, for a time, played as a member of June Carter's road group.
In 1969, Norman moved to Nashville to do the Johnny Cash Summer TV show. Along with country and western sessions, Norman recorded with Bob Dylan on The Nashville Skyline album. He was a member of Kris Kristofferson's first road group, playing guitar and dobro, and did a seasonal tour with Joan Baez, playing mandolin, guitar, and dobro; Norman recorded with both groups. He left Kristofferson to join and record with John Hartford's Aereoplane Band. After that band dissolved, Norman toured with John Hartford as his accompanist for 1 1/2 years, during which time he recorded his first solo album, Home in Sulphur Springs. He also received a gold record for his participation on the Nitty Gritty Dirt Band's legendary, Will the Circle be Unbroken album.
In the ensuing years, Norman and his wife Nancy Blake have toured extensively, playing to larger and more dedicated audiences. Again, Frets Magazine Readers Poll Awards voted Norman first place, this time in the category of Best Multi-Instrumentalist of 1986. Since 1989, the Blake's have received four Grammy nominations in the "Best Traditional Folk Recording of the Year" category for their projects, Blind Dog, their Shanachie debut Just Gimme Somethin' I'm Used To, and Shanachie releases While Passing Along This Way and The Hobo's Last Ride.[3]
Although known as one of the most prominent acoustic guitar flatpickers, Norman Blake is a multi-instrumentalist and vocalist. Other instruments he plays include the mandolin, 6-string banjo, fiddle, dobro, banjo and viola.[4] He is known for his loose right hand guitar technique, which arose out of his mandolin technique. Also well known is his devotion to 12 fret guitars, including Martin 00s, 000s, D18s, D28s, and, most recently, Gibsons, like his 1929 12 fret Nick Lucas special.
Blake is best known for his work with John Hartford, Tony Rice, and his wife, Nancy Blake. He has played backup for Johnny Cash, June Carter, Bob Dylan, Steve Earle, Kris Kristofferson, Ralph Stanley, and Joan Baez. Blake also played on the Nitty Gritty Dirt Band album, Will the Circle Be Unbroken, for which he received a Gold Record.[5].
From 1969 to 1971 he was a regular on ABC's The Johnny Cash Show, supplementing Cash's band the Tennessee Three.
Blake is listed in the credits of the Bob Dylan album Nashville Skyline and the Johnny Cash album Orange Blossom Special. He was featured on the Steve Earle comeback album Train A' Comin' and on the multi-platinum O Brother Where Art Thou? soundtrack, which ignited new interest in old time music and won a Grammy Award for Album of the Year in 2002. Blake participated in the "Down from the Mountain" tour which resulted. Blake also played on the 2007 album Raising Sand by Robert Plant and Alison Krauss, which won five Grammy Awards.
Most of the music that Norman Blake plays could be described as neo-traditionalist Americana folk and roots music (folk, bluegrass, country, blues), and many of the songs he plays are traditional, but he plays this acoustic type of music with a style, speed, and quality that has evolved and progressed in the modern age. Though probably best known for his fluid renditions of classic fiddle tunes transcribed for the guitar (Fiddler's Dram / Whiskey Before Breakfast), Blake has also written songs that have become bluegrass and folk standards, such as "Ginseng Sullivan" from Back Home in Sulphur Springs, "Slow Train through Georgia", "Billy Gray," and "Church Street Blues".
Blake has produced 33 albums and has recorded on the Rounder, Flying Fish, Country, Takoma, Shanachie, Red House, Dualtone, and Plectrafone/Western Jubilee labels.
Discography
Back Home in Sulphur Springs (Rounder, 1972)
The Fields of November (Flying Fish, 1974)
Old and New (Flying Fish, 1975)
Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns (Flying Fish, 1976)
Live at McCabe's (Takoma, 1976)
Norman Blake and Red Rector (Country, 1976)
Whiskey Before Breakfast (Rounder, 1976)
Blackberry Blossom (Flying Fish, 1977)
Directions (Takoma, 1978)
Rising Fawn String Ensemble (Rounder, 1979)
Full Moon on the Farm (Rounder, 1981)
Original Underground Music from the Mysterious South (Rounder, 1983)
Nashville Blues (Rounder, 1984)
Lighthouse on the Shore (Rounder, 1985)
The Norman & Nancy Blake Compact Disc (Rounder, 1986)
Natasha's Waltz (Rounder, 1987)
Slow Train through Georgia (Rounder, 1987)
Blake & Rice (Rounder, 1987)
Blind Dog (Rounder, 1988)
Norman Blake and Tony Rice 2 (Rounder, 1990)
The Fields of November/Old and New (Flying Fish, 1992)
Just Gimme Somethin' I'm Used To (Shanachie, 1992)
While Passing Along This Way (Shanachie, 1994)
The Hobo's Last Ride (Shanachie, 1996)
Chattanooga Sugar Babe (Shanachie, 1998)
Be Ready Boys: Appalachia to Abilene - with Rich O'Brien (Plectrafone Records/Western Jubilee, 1999)
Far Away, Down on a Georgia Farm (Shanachie, 1999)
Flower From the Fields of Alabama (Shanachie, 2001)
Old Ties (Rounder, 2002)
Meeting on Southern Soil (Red House, 2002)
The Morning Glory Ramblers (Plectrafone Records/Western Jubilee, 2004)
Back Home in Sulphur Springs [Norman & Nancy Blake] (Plectrafone Records/Western Jubilee, 2006)
Shacktown Road (Plectrafone Records/Western Jubilee, 2007)
Look A-Yonder Comin' (State Archives of Florida, 2008) (A bluegrass compilation featuring Norman and Nancy Blake)
Rising Fawn Gathering (Plectrafone Records/Western Jubilee, 2009)
Sleepy Eyed Joe (2009)
Green Light on the Southern (Plectrafone Records/Western Jubilee, 2010)
"Wood, Wire & Words" (Plectraphone Records/Western Jubilee, 2015)
Soundtracks
Blake appears on the following soundtracks as either musician or arranger:
O Brother, Where Art Thou? (2000) (Mercury 088170)
Cold Mountain (2003) (DMZ / Columbia 86843)
Walk the Line (2005) (Wind-Up Records)
Videos
Norman Blake's Guitar Techniques No. 1 (Homespun, 1990 VHS, 2003 DVD)
Mandolin of Norman Blake (Homespun, 1992 VHS, 2005 DVD)
My Dear Old Southern Home (Shanachie, 1994 VHS, 2003 DVD)
Legends of Flatpicking Guitar (Vestapol, 1995 VHS, 2001 DVD)
The Video Collection 1980–1995 (Vestapol, 1996 VHS, 2004 DVD)
Great Guitar Lessons – Bluegrass Flatpicking (Homespun, 2000 VHS, 2006 DVD)
Norman Blake's Guitar Techniques No. 2 (Homespun, 2001, 2003 DVD)
Skip

If you funk with me , I'll funk with you !
- Dominique FOSSE
- Messages : 1921
- Inscription : dim. mars 25, 2007 6:18 am
Re: ANNIVERSAIRES : Le fils du retour!
Ah ben non, là, je suis pas d'"accord. Deux semaines après, ça se fait pas de fêter un anniversaire. On attend l'année prochaine et puis c'est tout.
Aujourd'hui 27 mars c'est l'anniversaire du fiddler Aubrey HAYNIE. On le voit un peu moins sur les disques de bluegrass depuis quelques années (l'album de Rob ICKES et Trey HENSLEY quand même récemment). Je suppose qu'il fait pas mal de sessions country. Ce serait dommage qu'un tel talent soit inemployé.
https://www.youtube.com/watch?v=qQUzgWY1ZjM
https://www.youtube.com/watch?v=-hw8vS5ECR4
Aujourd'hui 27 mars c'est l'anniversaire du fiddler Aubrey HAYNIE. On le voit un peu moins sur les disques de bluegrass depuis quelques années (l'album de Rob ICKES et Trey HENSLEY quand même récemment). Je suppose qu'il fait pas mal de sessions country. Ce serait dommage qu'un tel talent soit inemployé.
https://www.youtube.com/watch?v=qQUzgWY1ZjM
https://www.youtube.com/watch?v=-hw8vS5ECR4
scribouillard chez coyote
- Dominique FOSSE
- Messages : 1921
- Inscription : dim. mars 25, 2007 6:18 am
Re: ANNIVERSAIRES : Le fils du retour!
28 mars, anniversaire de Dean WEBB, mandoliniste des DILLARDS (79 ans). Il chante le premier couplet de Buckin' Mule
https://www.youtube.com/watch?v=G0l-ywr8DW8
https://www.youtube.com/watch?v=G0l-ywr8DW8
scribouillard chez coyote
- Dominique FOSSE
- Messages : 1921
- Inscription : dim. mars 25, 2007 6:18 am
Re: ANNIVERSAIRES : Le fils du retour!
Mardi 31 mars, c'est l'anniversaire du dobroïste Phil LEADBETTER et du banjoïste Barry CRABTREE. Ça tombe bien, ils ont été ensemble membres de GRASSTOWNE, ce qui nous fait une belle économie de droits video
https://www.youtube.com/watch?v=kJUVjHErcyQ
On retrouve aussi Phil avec JD CROWE et GRASSTOWNE
https://www.youtube.com/watch?v=n4mVZbzXbYQ
https://www.youtube.com/watch?v=WjghgPdvycE
Et pour se faire plaisir, Phil à La Roche l'été dernier
https://www.youtube.com/watch?v=cndV9DBCZFM
Barry CRABTREE dans un instrumental plein d'harmoniques avec Larry SPARKS
https://www.youtube.com/watch?v=jRIUXr0jFUQ
C'est aussi l'anniversaire de la naissance (en 1922) de Howard FORRESTER qui a joué avec Bill MONROE (Sally Ann FORRESTER qui a été accordéoniste des BLUEGRASS BOYS (and girl)était son épouse), Roy ACUFF et a enregistré avec FLATT & SCRUGGS
https://www.youtube.com/watch?v=LgF-tjkq2YA

https://www.youtube.com/watch?v=kJUVjHErcyQ
On retrouve aussi Phil avec JD CROWE et GRASSTOWNE
https://www.youtube.com/watch?v=n4mVZbzXbYQ
https://www.youtube.com/watch?v=WjghgPdvycE
Et pour se faire plaisir, Phil à La Roche l'été dernier
https://www.youtube.com/watch?v=cndV9DBCZFM
Barry CRABTREE dans un instrumental plein d'harmoniques avec Larry SPARKS
https://www.youtube.com/watch?v=jRIUXr0jFUQ
C'est aussi l'anniversaire de la naissance (en 1922) de Howard FORRESTER qui a joué avec Bill MONROE (Sally Ann FORRESTER qui a été accordéoniste des BLUEGRASS BOYS (and girl)était son épouse), Roy ACUFF et a enregistré avec FLATT & SCRUGGS
https://www.youtube.com/watch?v=LgF-tjkq2YA
scribouillard chez coyote
Re: ANNIVERSAIRES : Le fils du retour!
C'est son anniversaire aujourd'hui le 2 Avril 19.... à Birmingham Alabama:
Pour un résumé de sa ( longue ) carrière et de sa discographie :
https://fr.wikipedia.org/wiki/Emmylou_Harris
Et pour des nouvelles encore plus récentes :
http://www.emmylouharris.com/

Avec une petite video live extraite de Taratata :
Emmylou Harris - All My Tears - live with Spyboy - remastered
https://www.youtube.com/watch?v=TqhakJZWyxU
Celle-ci a cappella :
https://www.youtube.com/watch?v=BpzK-c9Jxeg
Puis celle-là :
https://www.youtube.com/watch?v=jVkUFjh01lk
( Ensuite , il n'y a qu'à laisser les videos défiler.....chacun y trouvera sa favorite....dans le style qu'il préfère.....)
Skip
Pour un résumé de sa ( longue ) carrière et de sa discographie :
https://fr.wikipedia.org/wiki/Emmylou_Harris
Et pour des nouvelles encore plus récentes :
http://www.emmylouharris.com/

Avec une petite video live extraite de Taratata :
Emmylou Harris - All My Tears - live with Spyboy - remastered
https://www.youtube.com/watch?v=TqhakJZWyxU
Celle-ci a cappella :
https://www.youtube.com/watch?v=BpzK-c9Jxeg
Puis celle-là :
https://www.youtube.com/watch?v=jVkUFjh01lk
( Ensuite , il n'y a qu'à laisser les videos défiler.....chacun y trouvera sa favorite....dans le style qu'il préfère.....)
Skip

If you funk with me , I'll funk with you !
- Dominique FOSSE
- Messages : 1921
- Inscription : dim. mars 25, 2007 6:18 am
Re: ANNIVERSAIRES : Le fils du retour!
Quand j'ai vu les anniversaires du jour, je me suis dit: "Y a pas de problème, Skip va se charger d'Emmylou." Ça n'a pas loupé. 69 ans et super bien liftée.
C'est aussi l'anniversaire de Dale PERRY, plus jeune mais beaucoup moins sexy. Surtout connu comme bassiste puis banjoïste de Doyle LAWSON & QUICKSILVER mais il a aussi joué avec les BLUEGRASS CARDINALS, David PARMLEY et c'est même lui qui jouait du banjo dans LONESOME RIVER BAND avant Sammy SHELOR, comme le montrerait ce document si on le voyait de plus près
https://www.youtube.com/watch?v=2dER_iaSQSI
Il est surtout fameux pour sa voix de basse (avec QUICKSILVER, forcément)
https://www.youtube.com/watch?v=PdU4bU7yPlI
https://www.youtube.com/watch?v=y3gj9RhKVbg : On remarquera que, depuis Jamie DAILEY, il est permis de faire du gospel comique!
C'est aussi l'anniversaire de Dale PERRY, plus jeune mais beaucoup moins sexy. Surtout connu comme bassiste puis banjoïste de Doyle LAWSON & QUICKSILVER mais il a aussi joué avec les BLUEGRASS CARDINALS, David PARMLEY et c'est même lui qui jouait du banjo dans LONESOME RIVER BAND avant Sammy SHELOR, comme le montrerait ce document si on le voyait de plus près
https://www.youtube.com/watch?v=2dER_iaSQSI
Il est surtout fameux pour sa voix de basse (avec QUICKSILVER, forcément)
https://www.youtube.com/watch?v=PdU4bU7yPlI
https://www.youtube.com/watch?v=y3gj9RhKVbg : On remarquera que, depuis Jamie DAILEY, il est permis de faire du gospel comique!
scribouillard chez coyote
Re: ANNIVERSAIRES : Le fils du retour!
C'est plutôt photoshop pour la photo que lifting , en fait ...y a qu'à regarder les dernières videos sur le Tube , elle n'a pas eu recours à la chirurgie plastique ( et puis on s'en fout , elle chante toujours aussi bien et c'est ça qui compte.... je n'en parle que parce-que tu y a fait allusionDominique FOSSE a écrit :Quand j'ai vu les anniversaires du jour, je me suis dit: "Y a pas de problème, Skip va se charger d'Emmylou." Ça n'a pas loupé. 69 ans et super bien liftée.........



Sinon , si tu as un site de référence pour les anniversaires du jour ? je suis preneur, parce-que moi , c'est plutôt au pif quand je tombe dessus par hasard.....on voit ce que ça a donné avec Mr Blake !
Skip

If you funk with me , I'll funk with you !
- Dominique FOSSE
- Messages : 1921
- Inscription : dim. mars 25, 2007 6:18 am
Re: ANNIVERSAIRES : Le fils du retour!
Bien entendu je les connais par cœur, les dates d'anniversaire...skip a écrit :Sinon , si tu as un site de référence pour les anniversaires du jour ? je suis preneur, parce-que moi , c'est plutôt au pif quand je tombe dessus par hasard.....on voit ce que ça a donné avec Mr Blake !
Skip
En vérité, il y a eu unsite australien qui donnait les dates d'anniversaire (semaine par semaine je crois) et ça avait bien aidé il y a quelques années. Ce site a disparu mais j'en avais reporté la plupart sur un calendrier que j'ai conservé et qui reste utile mais il manque les dates des anniversaires des artistes les plus récents.
scribouillard chez coyote